WEBVTT
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By control but empathy.
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Do we sometimes chase recognition when what we really want is respect?
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In this episode, you'll learn how the movie John Carter from 2012 shows us that true leadership is rooted in integrity and not dominance.
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Welcome to the Phantom Portals Podcast, a podcast that explores how fandoms and film can help us learn and grow.
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I'm Aaron, a teacher and lifelong film fan, and each week on the podcast, we explore the stories we love, learn more about ourselves and the worlds that shape us.
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Today, I am joined by my co-host, Rash Rackham.
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Hello.
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And today we are introducing a brand new theme arc, which is titled Failure Isn't Final.
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And we decided to look at all of the movies that aimed high, stumbled, but still have something to teach us.
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And by stumbled, we mean they're absolutely flopped at the box office.
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They're either flopped at the box office or they underperformed to the point where they had catastrophic, what's the word I'm looking for?
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Consequences for any kind of sequel that kind of occurred, or for the studio at least.
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So from misguided epics to misunderstood visions, this series will ask, what do stories that failed to find their audience teach us about finding ourselves?
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The very first instalment is none other than John Carter from 2012, which is in fact, to date, at time of recording, the largest financial flop in the history of Brash.
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Do you want a brief synopsis to this floppy fish of a film?
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Yeah, yeah.
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John Carter follows a weary Civil War veteran who was mysteriously transported to Mars, known by its inhabitants as Basum.
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Thanks to the planet's low gravity, Carter gains the incredible strength and leaping abilities, can leak building a single bound just like Superman.
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Yep, yep.
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Carter Game, which drags him into a conflict between warring Martian nations.
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He befriends the four armed thrax, encounters the brilliant warrior princess Deja Thoris, and slowly becomes a reluctant hero who might be able to change the fate of a dying planet.
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As Carter learns the politics and cultures of Bassoom, he uncovers the influence of mysterious therns, powerful beings manipulating the war from the shadows.
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What begins as Carter's attempt to escape his past becomes a journey of purpose, love, loyalty, and as he fights to unite the planet and protect the people, he has grown to care for.
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Or at least that's what they say he does.
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Who knows?
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Who really knows?
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Who really knows indeed?
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His nephew will know.
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Yes, his nephew, who apparently wrote the stories.
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But in this episode, ladies and gentlemen, boys and girls, you will learn that our theme arc, which is failure isn't final, but specifically we're going to teach or learn the fact from John Carter that true leadership is rooted in integrity and not dominance.
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And we're also going to be looking, first of all, why this film flopped.
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We're going to talk a little bit about that.
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We're going to get our community's thoughts on this movie, because we did some polls on our threads and our Instagrams, and the responses are pretty intriguing.
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And we're also going to have a look at how the characters are represented to see how leadership or or even just the aspect of dominance through a lot of violence in this movie is portrayed on film.
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Interestingly crash.
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We did a poll on our threads community, and we had up two or just over 200 responses.
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And the question was, was John Carter a bad movie?
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Which way do you think our poll swung?
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Was it a bad movie, yes, or was it a bad movie?
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No.
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Cutting how I feel, I'm going to say that it wasn't a bad movie.
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Well, you would be with the majority.
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76% of our responders and community members said that John Carter was not a bad movie.
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Great movie?
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Bad movie.
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No.
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Uh, and 24% said yes, it was a very bad movie.
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So I think for me, there were a lot of positives for this movie in terms of its visual spectacle.
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It was a lovely movie to watch, especially being from 2012.
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I mean, like the Martians looked a little bit janky, how you going, but the the scenes and the battles and the spaceships and all of the different effects, including John Carter like jumping from place to place like a human-sized flea.
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It was all done pretty well.
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Yeah, yeah, yeah.
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Oh yeah, Taylor Kitch, the the lead actor, reported that he hated it, yeah.
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Yeah.
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No, I 100% agree with the like the spectacle of it.
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It was like the world building itself was absolutely phenomenal.
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And it seems like they you probably know because you're smarter than I am, but the trick that they use in movies where they shoot everything in sort of like so it really brings out like the blues.
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Yeah.
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Yeah, they use different colour corrective lenses and they did colour grading after the fact in post-production, yeah.
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Because um you you can tell because uh like Lynn Collins.
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Yeah, her eyes, her eyes, holy just bluer than sapphires.
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That's it.
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Yes, but um yeah, 100% agree.
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Like, and like it it's all like that's and the almost the first thing you see when you see her because uh you see her face, and then bang, just these like brilliantly blue eyes, and you're like, damn, I just get eyes because my eyes are blue, but then all that blue.
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Yeah, yeah.
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It's definitely color grading, and you know what, that has a very strong similarity to a lot of the characters in Dune.
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And funnily enough, this book, the John Carter book, predates Dune and it predates Star Wars, and it actually laid the foundation to a lot of of those sci-fi kinds, fantasy things that we really know and love today.
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Like, for example, what was his name?
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Edgar Rice Burroughs, who's really well known for writing the Tarzan books, and this was his other well-known series, John Carter of Mars.
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Yeah, it it literally came out in the early nines, and obviously Star Wars didn't come out until the 70s, so this was definitely an influencing factor, but still not as popular as those things that came after it, which is interesting.
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Yeah, well, I think uh I think it was just a more of a failure to launch because back the creator of Lunar Tunes Warner Brothers were gonna make an animated adaptation back in the early like 1930s or something like the 1950s or something like that.
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We're gonna make a well before it was actually gonna be before Snow White, yeah.
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And they had it going there and they it just couldn't go anywhere.
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They just didn't gather any moss, couldn't get any funding, yeah.
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And then it wasn't until like 2012, like 80 years later or what it was, uh that they finally were able to do something with it and make a movie.
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Uh yeah.
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There was lots of big names attached to this throughout the years as well, like studio-wise and directorially speaking.
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And to your point as well, Disney did end up picking it up and they sunk a lot of money into it because it came out or it was going to be released during a time when Disney was basically looking for their next big thing.
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So Pirates of the Caribbean was coming towards an end and it wasn't performing like it used to at the box offices.
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So it was looking for its next big sort of franchise that it could hang its hat on.
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And you'll remember during this time, movies like The Prince of Persia came out, John Carter came out as well, Sorcerer's Apprentice, all those kind of movies that were almost like they were almost good.
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They were almost good, but they weren't quite there.
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This was the one that Disney sort of put all its bank into.
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And we had one of our community members whose name was Holloway Holdfast that said, this isn't a bad movie, and it only failed because Disney sat on their asses and didn't make market it at all.
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And after doing some reading, I actually potentially agree because it had an ineffective marketing campaign to where the trailers really failed to justify or clearly explain the plot of the movie because it wasn't such a branded IP like Star Wars or Dune was, it was really kind of hard to sell to the point where it was it was kind of like a misleading tone as well.
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So the director whose name was Andrew Stanton, he kind of rejected the studio's ideas and led this ineffective campaign, you might say.
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One example that they give is that he put Led Zeppelin's cashmere in one of the trailers and was seen as making the film seem a little bit dated.
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Another one was this movie was set to be premiered through its trailer, like trailer release during one of the Super Bowls.
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And that's a really great time for movies to to debut their trailers because obviously it gets millions and millions of viewers.
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But there's a really unlucky slot, and it happens when somebody has an injury, basically.
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Like if somebody has an injury and they play one of the ad slots, it's like a hoodoo that apparently that movie is gonna go bad.
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And John Carter, its trailer, occurred during an injury stoppage during the Super Bowl.
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So it lacked promotion.
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This was also the director's first stint at a live action movie.
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The director, um, Andrew Stanton is actually like really well known in the animation scene.
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He directed and wrote A Bug's Life, Finding Nemo, Finding Dory, Wally, Toy Story 1, 2, and 3.
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And his live action writing credits, he's he's written the Obi-Wan series as well.
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And you know, he had a good writing team with him, like Michael Chabon.
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He wrote the screenplay for Spider-Man 2, arguably the best Spider-Man movie.
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So it's not to say that there wasn't talent behind the scenes with this movie, but it was also reported that Disney kind of looked at Andrew Stanton because of his success and was just like, here's a blank check.
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And he has himself admitted that he was kind of drunk with the the money and the power of it.
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But one but one thing I've noticed is I actually dove into the John Carter novel a little bit in preparation for this podcast.
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And it is a very, I will say it's it's dated.
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It's entertaining, but it's it's dated to the point where it is a very like journalistic account of John Carter's time on Mars, and it's very first person.
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And by that I mean we are figuring things out about this planet of Barsoom as John Carter figures it out in the books.
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Whereas in this movie, the scale is completely expanded to the point where, as we commented before, the world building, the nations, all those things existed, the talks, they were all there, but it was released sort of slowly, which I think may or may not have worked better or worse for this film because you were kind of given time to absorb it.
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So some mistakes were made, I think, but I also think some things happened that were out of this movie's control that caused it to to flop a little bit.
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Yeah, well, one of the things was the title, John Car John Carter.
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Like instead of saying like John Carter and the Princess of Mars or John Carter of Mars or something like that, like it's just John Carter.
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Exactly.
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Yeah, that was that was a last minute decision too.
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Because you'll notice in some of the promo they still have the the symbols that has JCM.
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That's like the logo of the John Carter franchise if it ever took off.
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But obviously in the title, we've got John Carter until the very end of the movie.
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Yeah, and because uh because this uh in the John Carter movie, it took a lot of its basis off the book Princess of Mars of that series.
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Like having it say like John Carter and the Princess of Mars or something like that probably would have helped it just by people being able to be more aware of what it actually is than just John Carter.
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Or at least they'd know what they're going into, you know?
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They don't Disney avoided using Mars in anything they did with this movie, like being on Mars and they just didn't say anything about Mars.
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Yeah, and I heard that was because their film Mars Needs Mums or something like that really flopped and failed, so that they thought that Mars was a was a word that they couldn't use in their production anymore.
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But yeah, I'm just wondering like there's this whole fear of fear of risk coming from Disney through this era as well, because as I said before, Pirates of the Caribbean on Stranger Tides had a huge budget and it came out at a similar time just before, and it had a lower than expected profit.
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This one here had a massive um budget as well, over 300 million, and it didn't rake in as much as that, let's just say.
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It's but and what confuses me, especially like with Disney, is they predicate all these fears, but they don't they don't even know the cause themselves.
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They just it's just they shoot from the hip.
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What they do is they play it safe and they deviate from what the original media is about, and then so then they just they just take that fear from there and run ramp it.
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I mean, it was a pretty competitive release in terms of 2020 twelve, because it was the same year obviously The Avengers came out, the Dark Knight Rises came out, John Carter had to stand out a lot in order to make its money back for one.
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And one thing that a lot of people have said as well, and some of our community has said that as well, is that Taylor Kitch kind of wasn't leading man material enough to carry a film into a franchise.
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So we have William the tracker that says lead actors must have some measure of charisma, whether they're unknown or movie stars.
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The two leads in this were boring, the movie's amazing visuals, just couldn't save it.
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So that was the other side of the opinion.
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Did they say who the second lead was?
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I think they're talking about Lynn Collins in this space.
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Or if they're talking about Willem Defoe, I'll have to disagree because Tarzar just was my favourite character.
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I'm gonna talk about him a lot later.
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Well, real realistically, for a lot of the time, it is like if you look at Lynn Collins' amount that she's in it, for like a lot of the sort of end start, she's not really in it except when they do like the flash out to where she is.
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But there's a whole huge chunk of when she's he's there with the tracks.
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Yeah, yeah, yeah.
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And I think um like the cast is pretty stacked.
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Like it's got Willem Dafoe as Tarz Tarkas, Mark Strong as Matthias Shang, Dominic West is in as Sab Thorne, and we have also Thomas Hayden Church, who everybody knows is Sandman in Spider-Man 3.
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He plays Tal Hajas, and then Sola as well, played by Samantha Morton, and obviously we have Taylor Kitch playing the titular John Carter.
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I am a fan of Taylor Kitsch, I will say, but I am a fan of him from Friday Night Lights, and in Friday Night Lights, he played a very brooding football player called Tim Riggins, and I feel like his brooding nature has carried him through a lot of different roles that he has played in his uh his time here.
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People might also know him from Wolverine Origins, where he played a version of Gambit that wasn't very well received.
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But I feel like he has made his name more well known in the TV scene, playing playing parts in the terminal list and also true detective.
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What what was your thoughts on Taylor Kitch as a leading man in this one, Brash?
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Were you sold by him or not so much?
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Dialogue stilted is some of the comments we got from our our threads.
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That's what I was gonna say.
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I don't mind him in the leading man.
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Arcany would Arcony makes a perfect John Carter.
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The writing wasn't very the dialogue writing.
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Yeah.
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Yeah.
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And you know what?
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I think that's universal.
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I don't think it's a Taylor Kitsch thing and just John Carter's lines.
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I think the lines throughout these movies from a lot of the characters are a little bit stilted.
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And and it's kind of corny cliche as well.
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So even to the point where, like at the start, the Tyshane.
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Yeah, exactly.
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Very dismal.
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And maybe it's because we're coming at from an adult lens and it's meant for people probably maybe younger than us.
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I don't know.
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But I don't know how, because you've got people getting their arms cut off and in the movie and like the whole pit where they they um slaughter all the hatchlings.
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Slaughter all the hatchlings because they can't take him with them, and yeah.
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Yep.
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They're not strong enough to climb out.
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Yeah, I think that there are some adult things.
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That's a that's probably another thing.
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It didn't really hit its tone in terms of its target audience.
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No, it seemed too light, like everything too seemed too light and bright to be to deal with some of the themes that were in it.
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Yeah, exactly.
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So it wasn't quite for for kids, but it wasn't quite for adults, and it kind of was a bit too corny and cheesy for teenagers.
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So I think it definitely flopped for a reason, you could say, but I don't think the reason is because Taylor Kitch couldn't carry the project.
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So, with that being said, obviously, yourself and our community, or the majority of our community, believe that it's not a bad movie.
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Through this theme arc, we're looking at what failures can teach us.
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And one of the things that I kept noting through this movie, and part of our most valuable takeaway, is that I found in this one that I was looking at leadership, more specifically through our main character of John Carter, but also through some of the other characters as well, and how power changes hands within this movie.
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And I think one thing that I found was that power in in Basum or in Mars in this movie was very it was very much strength-based.
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It was based on control, it was based on fear, it was basically it was based on sustained, outdated systems of power that really showed one person's dominance over another.
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And that's historically accurate for the time period that it was written for sure.
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Who has the biggest dick?
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Basically, yeah.
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Who has the biggest dick, who has the biggest stick?
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But it's literally the first scene of the movie when you know Matthias Shang comes down and says, You'll rule over all of Basum, and there'll be no one who can defy you when he gives him the ninth ray weapon.
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And then Sad Thorn is a pawn and a puppet for the rest of the movie where he's leading the nation of Zedanger.
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It's Zedanger, isn't it?
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Yeah.
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And Zadenga like go through and just annihilate everything on Barsoom using this basically god weapon.
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And it's it's to me that sort of pattern continues throughout all of the different societies in Basum.
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Like obviously, through the Tarks, it echoes in a more primal form because they have this survivalist brutality as well.
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And compassion has no place in the Tharks either.
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Yeah.
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And then but um yeah, they to go as far as even to say it, like how they've watched countless worlds destroy themselves to be rebuilt again, then they'll just helping this one along and by giving him the gold weapon because he'll just destroy everything, everything will die, and then they'll start again.
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So just try instead of trying to fix it and trying to instead of trying to fix it or make it better.
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Well, that's the whole message through the whole thing, isn't it?
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The the people that Matai Shang belong to, I've forgotten what they're actually called, but the people that Matai Shang belong to, they have supposedly watched over lots of generations of people, and they pick a very controllable person to install their will on a planet and basically take over it via conquest.
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So you can tell, like you can see that this is like a primitive way to control people and oppress them to the point where it exposes a world where obedience basically replaces respect.
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So there's also some some theorists whose name is Borman and Palensky, and they say that if if leaders lead with ethical principles and not with dominance, it fosters long-term cohesion.
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So followers don't respond to fear indefinitely, basically, because they respond to fairness, purpose, and consistency, which is not the case in in this story of John Carter, because basically the guy with the biggest weapon is going to win, or in the fact of the the farks, it's the strongest one will rule.
00:18:17.039 --> 00:18:33.599
And Tars Tarkas is that, or at least he's posturing to be that for a great portion of the film until Taj Hajas, who's played by Thomas Hayden Church, takes over because he's showing the weakness of compassion, I'll say, in in quote Marks towards Solar.
00:18:33.680 --> 00:18:44.880
So like it's very, very evident primarily through the Tharks, because even as you said before, you know, there are 18 hatchlings who are yet to hatch, they said, and they won't they're not worthy to be a Thark, so they literally just destroy them.
00:18:44.960 --> 00:18:49.920
So there's just that indoctrinated idea that dominance and strength is what takes control.
00:18:50.240 --> 00:18:58.799
And for me, I really wanted John Carter to stand above that and basically not reinforce this theme, but subvert it.
00:18:58.960 --> 00:19:11.279
But through this movie and towards the end especially, he basically gains power through the same means that any other person in this world does, which is through power and a show of brute force and strength in the arena.
00:19:11.680 --> 00:19:21.920
And and basically he's using he's using the villain's way to control and gain power as opposed to doing something opposite and being a leader in that manner as well.
00:19:22.160 --> 00:19:28.720
So I I kind of don't think John Carter is representing good leadership or good traits of a leader in this movie.
00:19:28.799 --> 00:19:37.200
I feel like he is definitely one of the least popular characters, in my eyes at least, that shows how he can change a system, if you know what I mean by that.
00:19:37.440 --> 00:19:37.839
Yeah.
00:19:38.000 --> 00:19:52.160
But uh but that goes along with his character too, because his character through the whole line is he he doesn't want he doesn't want to lead, he doesn't want to do anything, he just wants to be left alone with his little gold mine and just be concluded.
00:19:52.720 --> 00:20:00.400
I was not sold on that either because he was he's a guy, right, that just wants his cave of gold is what they kept going back to the whole time.
00:20:00.559 --> 00:20:19.519
And he even said to his Confederate buddy at the start, he was just like, Whatever it is I was supposed to owe to your country, I've I've paid in full because we get those flashbacks where he uh he lost his wife and his child and he, you know, he plays with the wedding band throughout the the movie to show that he's got this history as to siding with somebody and it going against him in the long run, personally.
00:20:19.680 --> 00:20:34.319
So I think what was supposed to come off as him being non-committal due to a morally righteous reason, like I don't feel like he's not fighting or engaging in a cause because he's opposed to the violent way that they're oppressing power.
00:20:34.480 --> 00:20:39.839
I feel like it's because he just doesn't want to, which like he doesn't go one way or the other.
00:20:39.920 --> 00:20:45.279
And when he actually does, he doesn't commit to a side because of any kind of belief or value that changes.
00:20:45.440 --> 00:20:47.039
He does it for romantic interest.
00:20:47.200 --> 00:20:50.319
So he falls in love with with Deja Thorus.
00:20:50.480 --> 00:20:50.640
Yeah.
00:20:50.799 --> 00:20:52.400
He falls in love with Deja Thorus.
00:20:52.559 --> 00:21:04.880
And then, you know, she actually has a real banger of a quote too, because when they're in the cave and they're working out how the transporting system works when they follow the river of Is, uh, she says, well, he says to her, War is a shameful thing.
00:21:05.039 --> 00:21:10.000
And then she says back to him, not when a noble cause is taken up by those who can make a difference.
00:21:10.240 --> 00:21:13.200
He says, You made a difference today, Virginia, name your price.
00:21:13.359 --> 00:21:14.640
And he goes, I'm not for hire.
00:21:15.119 --> 00:21:26.240
So I think that she is the one planting the seeds of the values, and she is actually making a difference through changing the culture, changing the way of something that could occur.
00:21:26.319 --> 00:21:31.119
Whereas John Carter just jumps in and uses violence to take over and be a leader again.
00:21:31.359 --> 00:21:37.519
So the two people that go against this trend is Deja Thoris and Tarz Tarkas, and they're my favorite characters.
00:21:37.759 --> 00:21:52.079
So I don't know why John Carter gets their respect at the end, because I feel like Tarzaris throughout shows the Tarks a new way to exist, whereas John Carter just comes in and incites them for a war that they're not really involved in to start with.
00:21:52.240 --> 00:21:55.279
And that's my rant about how John Carter isn't a hero.
00:21:56.319 --> 00:22:01.599
To be fair though, the only reason why Tars Tarkas does change his stance is because John Carter.
00:22:02.640 --> 00:22:04.079
That point I will give you.
00:22:04.240 --> 00:22:05.359
That point I will give you.
00:22:05.440 --> 00:22:09.920
He is so indoctrinated in the culture, like Tarz Tarkas sees John Carter.
00:22:10.240 --> 00:22:18.000
As has his daughter, like just allows his daughter to be marked so many times just because he does want to try to fight against it.
00:22:18.240 --> 00:22:18.880
Very good point.
00:22:19.200 --> 00:22:28.480
To the point where John Carter actually speaks out against his decision and he works out, and you know, he says there's there's no room left to mark her, basically.
00:22:28.640 --> 00:22:30.160
She has no room for another mark.
00:22:30.240 --> 00:22:36.079
So it shows you that Tarzarkas is unwillingly moving forward with the cultural practice of the Tarks.
00:22:36.240 --> 00:22:43.359
John Carter comes and basically verbally outbursts towards it and says, you know, this isn't the way that you should do it.
00:22:43.440 --> 00:22:44.240
So yes, okay.
00:22:44.400 --> 00:22:48.799
He does inspire Tarzarkas to act upon his thoughts of compassion.
00:22:48.960 --> 00:22:53.920
However, he does rally the mob through forces of violence in the end.
00:22:54.079 --> 00:22:57.680
So he does move one stone in Tarzarkas, I'll give him that.