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What if belonging isn't about fitting into the world you're born into, but having the courage to admire your strengths despite it?
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You know what movie teaches you that?
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How to train your dragon.
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How to train your dragon teaches you that welcome to Phantom Portals, the podcast that proves your favorite films have something to teach you.
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If you want more from the movies you watch, then you are in the right place.
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I'm Aaron, a teacher and a film fan, and today I'm joined by Brash.
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How are you, Brash?
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I'm very well yourself.
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Going pretty good.
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Going pretty good.
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And you know what?
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This week we are looking at purpose, belonging, and leadership without dominance as we deep dive into how to train your dragon, the live action one, the remake from 2025.
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In this episode, we will also be discussing differences of strength.
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We'll be looking at flow state and ableism through the characters of Hiccup and Toothless.
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And we'll also look at how this reframes the classic story of the boy and his dog into the modern era.
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And we're obviously going to talk comparisons between the original and the animated because how can we not?
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But if you wanted to navigate down below with the chapter headings in the show notes, feel free to do that as well.
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But if you're a true fan, you'll listen to the whole thing because we have lots of cool stuff to talk about.
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All right.
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But before we get into any of that, before we get into our fandom pulse and our most valuable takeaways for how to train your dragon, Brash is going to give us his quick synopsis.
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Hello everyone.
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We begin our tale.
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So how to train your dragon.
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I'm sure everyone's seen anime movie.
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If you haven't, do it.
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Pause, go watch it, pause, go do it, come back.
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And then if you haven't seen the live action, pause, go do it, and come back.
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But for those who haven't and are not going to, here's my little synopsis.
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So in the rugged, a Viking village of Burke, dragons are not a myth.
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They are a relentless threat for generations.
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The people of Burke have waged war against the beasts that scorch their homes and steal their livestock.
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Among them is Hiccup horrendous Haddock III, the awkward, inventive son of the village chief, Stoic the Vast.
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Unlike his warrior peers, Hiccup lacks brute strength and battlefield instinct, and his attempts to prove himself often end in humiliation.
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But everything changes when Hiccup manages to bring down the mysterious Night Fury, the most feared and elusive dragon of them all.
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Yet when he finds the creature wounded in the forest, he cannot bring himself to kill it.
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Instead, he forms a secret bond with the dragon he names Toothless.
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Through patience and ingenuity, Hiccup discovers that dragons are not mindless monsters, his people believe them to be, but intelligent, emotional creatures reacting to a deeper threat.
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As Hiccup trains alongside other Viking teens, including the fierce and determined Astrid, he uses his growing understanding of dragons to outthink rather than overpower his opponents.
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But his secret friendship places him at odds with Burke's traditions and with his father's expectations.
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When the hidden dragon nest and colossal alpha dragon threatens both humans and dragons alike, Hiccup must bridge the divide between their worlds.
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Very good.
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And I think the thing that stands out to me most in that synopsis, and we'll jump into our fandom pulse now, our community thoughts segment, is whenever you hear that they're doing a live action remake of something that's animated, it's hard not to think, why do we need this?
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And one of our uh listeners, the Room Upstairs podcast, commented on one of the posts on our threads and said something very similar.
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They said, I don't know if we ever need any movies like this in general, but we want to be entertained by movies, but we don't really need them.
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Now, there could be times when movies also become more than entertainment, but I don't feel like these ones are that, in my opinion.
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To me, all movies are permissible.
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I either like them or I don't.
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And if it's a remake and I don't enjoy it, I can always just watch the original, you know, which is very true and also a good way to sit on the fence.
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Thank you, Room Upstairs podcast.
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But for me, when we're talking about whether we need this or not, I usually fall into the category of no.
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And that is because I have a lot of nostalgia placed in most of the animated Disney movies that are coming through as being live action.
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This one, however, came out, the animated one, I think when I was in my early twenties.
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So for me, or maybe a little bit earlier, maybe late teens.
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So I kind of missed the age bracket, but obviously being a film buff, still watched them.
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So I know that this film holds a big place of nostalgia for a lot of people.
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Live action-wise, having seen a few, the only one I really like was the jungle book.
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And now this one.
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Brash, thoughts on the live action adaptation.
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As a whole, yeah, I'm also same, same sort of mindset.
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Like, especially with a lot of them, do we need them?
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I'm usually as a mindset, no.
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Um, but for me, it's not so much the nostalgia of it.
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I think for me, it is they usually forego the original story for star power.
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And that's what annoys me the most.
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They'll throw all these big stars in it, change it all so they all get their big star moments, but then completely throw off what the actual movie was about.
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Yeah, and they'll lose the heart of the story.
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And I actually got a quote from Dean De Blaus, who was the director, and he was the director of the animated ones as well.
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And he actually insisted on directing, having written the screenplay for the three animated movies, because he knew the characters so well and he knew where the heart of the story was.
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So he thought that by making this live action adaptation himself, coming from the animated background, he could make it more mature and dark in all the right ways to appease the same audience that loved the animated feature.
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Obviously, because he knew how these characters grew over time, and he knew what he could deepen without compromising story or heart, which I think was very true.
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I think everything that he added into this movie did so to explain something more, which was like really good to see.
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And the things that he took away in terms of like some of the scenes in the middle of the movie, one example I know off by heart is where Hiccup snuck Toothless into Burke in the animated movie, and Astrid sort of starts to get wise to his his game before she discovers that he's got toothless.
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Like that was sort of cut out in the middle of it, I think, for like timing and pacing purposes.
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Yeah.
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But I think for the most part, what was left in and what was developed was really strong.
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And and it was covered pretty well, because like Ashrid, like he all of a sudden can like pain and corral these dot dragons all of a sudden.
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So she gets a little bit suspicious.
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So instead of catching him at nighttime trying to get toothless into the village, it's more of a he's like, oh yeah, gonna go like he does in anime.
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She's like, where?
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And then follows him.
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Yeah, it was kind of more like it's very believable as a kid's movie for them to be like, hmm, I wonder what's going on, head scratch.
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But then when you're talking about this live action one and you want the characters to be a bit believable, it probably is believable that Astrid being as smart and capable as she she is as a character would kind of come to the conclusion and investigate that herself.
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So yeah, decent change on that one.
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Another development that I saw from the animation from from the animation to the live action was they deepened some characters in particular, like Snotlaut, the character of Snotlaut, you saw they included his father and a disapproving kind of relationship that really mirrored hiccup and stoics in a in a kind of different way.
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So, I mean, those two being not really the best of friends had something that they could bond over or relate to with each other with.
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So I I kind of like that, but it also added a little bit of comedy throughout when he's you know, at the start of the movie, he's trying to get some accolades off his father, and he says to him, you know, don't talk to me in public.
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So yeah, yeah.
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I thought that was very good.
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Yeah, no, no, that was really good.
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And then like yeah, at the end, he finally gets like the sort of a thumbs up.
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Yeah, yeah.
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And you know, same way that Stoic does for hiccup as well.
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One of the things I did want to talk about as well is the the casting for this movie.
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And we were talking about Astrid earlier, but I know that when it was revealed that Nico Parker was going to play Astrid, there was a little bit of uproar because she obviously doesn't look like the animated character.
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I actually really liked the way that they I really liked the way that they they explained that in this movie.
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I thought it was really like well done, you know, instead of all of the the Burke people looking Scandinavian, they kind of were the amalgamation of different Viking tribes used to combat this dragon force at the last little breath of civilization, as you know the dragons were coming and they were trying to find the nest.
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Yeah, we and you may scold me, because I can't really remember all of the stories for all of the How Meshic Dragons.
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But we don't actually see any other civilizations besides pretty much Viking ones, except for those the ones, the bad guys in the I think the second one or the third one.
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Yeah.
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They're still Vikings, but they're more pirate ish Vikings.
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Yeah, I'd agree.
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And they kind of have like facial tattoos, which I know a lot of sort of Anglo-Saxon tribes had historically, so maybe that's like the British sort of influence there.
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But you're right, there wasn't very much racial diversity, you could say.
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But I think that they explain it more.
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Which it means makes that it makes a bit more sense than as in like maybe this world is just a purely like Viking world where really the only civilizations are Vikings and they're still all different kinds of people, but they're all just Viking people.
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Yeah, yeah.
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And and you know what?
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I think that in in that diversity that they used for like Nico Parker did a brilliant job acting in the role, and I think that she brought a really good confidence to that role of Astrid as well, and I think her confidence really challenged Hiccup's character in terms of his anxiety, but they also like brought out the best in each other.
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Like Astrid's confidence was reflected onto Hiccup as he sort of started to emerge as a person, but then also Astrid sort of softened in relation to hiccup as well, when he was a little bit more gentle towards the dragons, where she was a little bit more aggressive, which obviously as well is a flip on traditional like gender tropes, because generally the boy is the sort of more aggressive and masculine one you could say in that respect, and the girl is is more soft and and caring.
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So I like the way that they sort of flipped that as well.
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The only thing I was like, eh, that's a bit disappointing.
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Um and the twins.
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Yeah.
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Because like in the in anime movies, they uh they always get like sort of confused with each other, and yeah, they were pretty much they're meant to be like they're meant to be like mirrored people, and the two actors they got like the two people like doesn't worry me at the end of the day.
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But I was just like I think they missed out on some of the twin fun that they had in the anime movies because of it.
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I can agree.
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I think that that Harry Trevorend, who played Tough Nut, the boy, he looked like a spitting image of the cartoon, I thought.
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But then the girl, Bronwyn James, who played Roughnut, I think she was sort of not looking like the the twin so much of the brother there.
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But one thing that I loved about the cast was obviously they had the return of Jared Butler, who played Stoic the Vast.
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I mean, there are actors who would not want to play a role twice because they feel like it doesn't add anything to their their catalogue, you could say.
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But I feel like he felt like there was more that he could give in this space and into the live action space as well.
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The physicality he would bring to the character and that emotional representation between himself and Mason Thames as as hiccup, he could really bring something to that because I I've read as well that during the filming of the the live action version, he actually lost a family member, and through that he was able to sort of honour them with his his presentation and his acting of stoic, but he was really able to pour into the father-son relationship dynamic because of the the disconnect, but then also the connection that happens at the end.
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So I really feel like Jared Butler's edition kind of made it.
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And Mason Thames, what did you think of him as hiccup?
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Because I know Jay Burchell, who did the voice in the animated series, he is a fan favorite and he's got a very distinct voice which adds to the character.
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He does, yeah, and I I think Mason did a very, a very good job.
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Like sometimes, and most of the time, like I I like I watch him like, oh damn, he looks just like he looks he seems like hiccup.
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And then there was other, but then other points where I see him, I'm like, he looks too goddamn handsome to be that's true as well.
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He's too good looking and he's too like even though like because Hiccup's meant to be like this little weedy guy, but um like he like dude's a good-looking dude.
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Absolutely.
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Yeah.
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I think for for him as well, I'll be interested to see because they can obviously take some liberties in animation.
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As he sort of grows in number two and number three of the animated ones, you can definitely see a physical change because he takes on different roles, obviously, in his his tribe in Burke, but then also he gets older.
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So I'm wondering, with these ones being filmed sort of pretty closely together, how they're going to make Mason Temps look like he is aging into the character of Hiccup as he kind of gets older, especially like number three, where he has like the beard and he's in dad mode.
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Yeah.
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I I don't think the animation changed that much.
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It's the first- They just slapped a beard skin on him.
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Exactly.
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It's just the same hiccup, they just slapped a beard on him.
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I honestly do feel like they did a good job of making those other Vikings look really burly and huge because that physical the physical difference there is really important because it highlights what, and I'll put this in quotation marks, what hiccup lacks.
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Yeah.
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And and what they see culturally, we'll get into this a little bit later, is that he's obviously weaker because of his diminutive size, but he has strengths in other areas too.
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So I think that was something that the director really wanted to convey and keep when he was doing this live action.
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I think they did a good job of that too.
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But like you can see it with the costumes that they're wearing, like um, like the like a lot of the bulk was built up with the armor they're wearing, like uh Jared Butler.
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Yeah, with the armor and the furs, it just made Jared Butler look exaggeratingly big.
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And uh the same with Nick Frost, because Nick Frost has lost a lot of weight.
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Absolutely, yeah.
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So uh to him to make him look like Gobber, like and Gobber in the anime is like a pretty hefty dude.
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So they aren't they did a really, really good job.
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And even with the all the kids, I think all the kids were casting like very well, like um Julian who plays um fish legs.
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Yep.
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He was he was amazing, and like when he when he does the when they get told about all the different dragons, he like does all the stats rattling off the scores.
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Yeah.
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But we're talking about how how good the cast look and the characters and the costume, it obviously looks very good.
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What about the the the famous, most famous, and probably the way that people are most critical of movies like this, the dragons, the animated dragons.
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Going from the animation to this live, we'll put in quotes live action, because obviously they're still animated dragons, but they're they're looking a little bit more real.
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I would say, out of all the dragons in How to Train Your Dragon, the live action version, I think the worst-looking one is Toothless.
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And I'm sorry, but I feel like he has been, he was made a little bit too cute, you could say.
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And I know that they need him to be because he's got to be expressive.
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And I think I actually watched an interview where the directors and the creative consultants were saying, you know, we we did make him look very realistic, but we couldn't make him be as expressive as he is in some of the scenes that he needed to be without the big cat-like eyes and tongue.
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And I that's uh probably the thing I can forgive because like in the second one when he meets the is it the second one when he meets the white the third one.
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That's the third one.
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Yeah.
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And he does a little dance.
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Yeah.
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I couldn't picture a like a more like I couldn't picture a realistic, more scary looking toothless doing that funny little maiden dance.
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Yeah, yeah, absolutely.
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They've they've definitely future proofed it for sure.
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But but yeah, I think all the rest of them look really well.
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Yeah, I can't the thing I like the most about it is they are just pretty much just more realistic versions of the animated version.
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It's like they just took the anime version and just it up a bit to make it a little bit.
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Unreal engine filter.
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Exactly.
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And no, I think I love I think that's what I like the most about it.
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Like they haven't tried to overreal like make them over-realistic.
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They sort of sort of still kept that fancy animated charm to it.
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Yeah to all of the dragons.
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Yeah, and I think the way that they moved and the way that they kind of expressed themselves in an animated form was really good too, very much mimics the original animation.
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So I think they've they ticked a lot of boxes, and for me, I'm gonna talk about this scene a little bit later, but even this this especially well done were the scenes when they've done toothless and hiccup flying.
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So I think just the animation and the landscapes that they used in this was absolutely phenomenal and breathtaking.
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Burke looks beautiful, and even the massive dragon at the end and the set that they use for that, or the animated space they used for that.
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I think that they've done a really good job of blending animation with realism, which is what you want from one of these live-action remakes.
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And I think it stands as probably one of the top ones, if not the top animated remake that I've seen to date.
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Hands down.
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It's probably one of the best.
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All right, let's move into our MVTs.
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So this episode we're exploring how purpose and belonging emerge not through dominance, but through empathy, craft, and connection.
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A couple of things I want to talk about in terms of this one.
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First off, is how Hiccup is defined within his tribe, so or his clan.
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So if we look at this, Hiccup is obviously, as we said, a diminutive sort of Viking character.
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He is from the very first scene, he is looked at as misaligned, you could say.
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He hesitates, he observes, he invents, instead of goes out and fights.
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He's definitely more moral and more intellectual than his Viking counterparts.
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And, you know, through this movie, we learn that Hiccup isn't weak.
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He's kind of incompatible with a broken or outdated definition of strength for the the Vikings of Burke.
00:18:00.319 --> 00:18:09.039
And I think that throughout the course of this movie, strength in Burke is definitely an inherited behavior, and it's something that's happened generationally.
00:18:09.200 --> 00:18:12.640
Obviously, they've been very because Stoic even says it.
00:18:12.720 --> 00:18:17.759
He says, you're not a Viking, you're something else, and he can't really define what he is.
00:18:18.000 --> 00:18:20.880
But I don't think it's like Stoic rejecting him as a son.
00:18:21.039 --> 00:18:28.880
I think he just he he's kind of confused as to to what this sort of being is and and where his son fits in the framework of of Burke.
00:18:29.200 --> 00:18:33.680
And you know, he he kind of leads with thought instead of force in that way as well.
00:18:33.839 --> 00:18:40.960
And hiccup definitely has his unique strengths, but they're not the strengths that his cultural environment foregrounds or accepts.
00:18:41.440 --> 00:18:45.759
Felt a sort of like anime trope come from it.
00:18:46.160 --> 00:18:46.319
Yeah.
00:18:46.480 --> 00:18:54.079
Because you see, like most animes, and even nowadays, always have the trope of the hero is generally not always the big strong guy.
00:18:54.240 --> 00:19:17.279
It's the usually like the like especially the Isekai sort of genre where they come from another world, they come in with like the extra smarts that the other characters in the anime don't have and are able to get ahead because of that outside the box thinking that they have compared to all the other characters, which I think is what pretty much is hiccup.
00:19:17.440 --> 00:19:24.640
Hiccup's the out-of-the-box thinking character that always wants to look for new and better ways to do things.
00:19:24.960 --> 00:19:31.599
Yeah, I um it's very definitely a trope in a lot of different media where the one that looks different always has something to hide.
00:19:31.759 --> 00:19:41.839
I can even think of it in like in The Simpsons when all of those mafia members are fighting in front of Homer's house and Marge is trying to bring him inside and he goes, But that little guy hasn't done anything yet.
00:19:42.400 --> 00:19:46.480
And then he literally walks him inside, and then obviously the little guy kicks everybody's ass.
00:19:46.720 --> 00:19:53.200
But I think you're you're absolutely right when you say hiccup has his own sort of strengths, because as soon as that that happened, you know, he started inventing.
00:19:53.279 --> 00:19:58.559
You can see him are building these various different like tools to fire bolos at dragons.
00:19:58.640 --> 00:20:18.960
So he's trying to fit in the best way he knows how, but they're not respecting the fact that that is also valuable, not just how his father does it, which is the scene pretty much directly after that, where he literally boxes a dragon that's spewing fire off everywhere, a very big show of manliness, but you can see why he's been labeled the chief, because he does embody all the values that the Viking Berks have.
00:20:19.119 --> 00:20:30.000
And you know, you could even argue that that Stoic's position is a little bit difficult too, because as the chief, having a son in that sort of space may be a source of shame for him.
00:20:30.160 --> 00:20:35.680
And I think that through this movie, Stoic does a really good job of like doing his best to accept his son.
00:20:35.759 --> 00:20:42.880
And I think he's working, he doesn't have the tools yet to work with his son in the way that he needs, because he's he's wearing a lot of hats, so to speak.
00:20:42.960 --> 00:20:49.759
Like he's got to be a father, he's got to be a leader, and he's also got to like go out and protect the interests of Burke.
00:20:50.079 --> 00:20:54.160
So I think the movie talks about strength in various different places.
00:20:54.319 --> 00:21:11.920
And when hiccup partners with Toothless, that is when both of those characters begin to be reframed in terms of strength, because they're kind of both like failed weapons, you could say, because hiccup is is a failed Viking, that he can't really do anything in terms of killing dragons or fighting.
00:21:12.079 --> 00:21:15.680
In fact, he says, I couldn't kill a dragon, like I just wouldn't do it.
00:21:15.920 --> 00:21:20.160
And and Toothless is like he he can no longer fly without any kind of assistance.
00:21:20.240 --> 00:21:25.440
So, as most things are in the wild, if they're injured and they're left to their own devices, he would definitely not survive.
00:21:25.759 --> 00:21:29.920
Without those tools and without each other, they kind of need to become something new.
00:21:30.000 --> 00:21:32.640
And it's a partnership that's built on trust as well.
00:21:32.799 --> 00:21:39.599
So that takes strength in itself to overcome those adversities and then still succeed and not only succeed but thrive.
00:21:39.680 --> 00:21:43.519
So the partnership between him and Toothless is fundamental for this movie as well.
00:21:43.759 --> 00:21:59.680
One of the things I I loved from the original that they also brought into the new one, the live actor, is the line when I think Tickup's talking to his father, and because obviously until we find out the later movies.
00:22:00.160 --> 00:22:14.880
Stoic's wife and Hiccup's mother they think has was killed by dragons, which leads to this extra hatred towards dragons and hinders the acceptance and understanding between Hiccup trying to get the other Vikings to understand dragons better.
00:22:15.279 --> 00:22:25.119
But the line is uh line is um when Stoic says they've killed hundreds of us, but then Hiccup says and we've kid killed thousands of them.
00:22:25.440 --> 00:22:25.759
Yeah.
00:22:26.000 --> 00:22:28.480
But that number is what gets me.
00:22:28.559 --> 00:22:40.000
So realistically, like rarely ever, it seems, because this has been going on for however long, only hundreds of people have been killed by the dragons, and yet they've killed thousands.
00:22:40.160 --> 00:22:40.319
Yeah.
00:22:40.559 --> 00:22:52.799
Meaning, like so dragons aren't inherently trying to, like, it makes you think, especially especially when Toothless and Hiccup become friends and everything like that, and how quickly the dragons assimilate into the the village life at the end.
00:22:52.960 --> 00:22:53.599
Yeah.
00:22:54.240 --> 00:23:04.480
Yeah, it shows that the dragons necessarily weren't ever trying to go out of their way to kill any of them, and realistically probably only did so because they were being attacked by the Vikings.
00:23:04.640 --> 00:23:07.440
Whereas the Vikings just went out and sorted them all.
00:23:07.599 --> 00:23:15.279
Yeah, and they literally moved their like Burke in this movie in the live action one is is positioned because it's closer to where the dragons are.